![]() The new men, including Werner, are mocked by the rest of the crew, who share a tight bond. As time passes, he observes ideological differences between the new crew members and the hardened veterans, particularly the captain, who is embittered and cynical about the war. The next morning, U-96 sails out of the harbour of La Rochelle and Werner is given a tour of the boat. Thomsen, another captain, gives a crude drunken speech to celebrate his Ritterkreuz award, in which he mocks Adolf Hitler. He is driven by its captain and chief engineer to a raucous French bordello where he meets some of the crew. Lieutenant Werner is a war correspondent on the German submarine U-96 in October 1941. The film received highly positive reviews and was nominated for six Academy Awards, two of these nominations (for Best Director and Best Adapted Screenplay) went to Petersen himself he was also nominated for a BAFTA Award and DGA Award. Columbia Pictures released both a German version and an English-dubbed version in the United States theatrically through their Triumph classics label, earning $11 million. Produced with a budget of DM 32 million (about $18.5 million, equivalent to €34 million 2021), the film's high production cost ranks it among the most expensive films in German cinema, but the film was a commercial success and grossed $84.9 million worldwide (equivalent to $220 million in 2020). One of Petersen's goals was to guide the audience through "a journey to the edge of the mind" (the film's German tagline Eine Reise ans Ende des Verstandes), showing "what war is all about". During production, Heinrich Lehmann-Willenbrock, the captain of the real U-96 during Buchheim's 1941 patrol and one of Germany's top U-boat "tonnage aces" during the war, and Hans-Joachim Krug, former first officer on U-219, served as consultants. Several American directors were considered three years earlier before the film was shelved. It depicts both the excitement of battle and the tedium of the fruitless hunt, and shows the men serving aboard U-boats as ordinary individuals with a desire to do their best for their comrades and their country.ĭevelopment began in 1979. There are also several different home video versions as well as a director's cut supervised by Petersen in 1997.Īn adaptation of Lothar-Günther Buchheim's 1973 German novel of the same name based on his experiences aboard German submarine U-96, the film is set during World War II and follows U-96 and its crew, as they set out on a hazardous patrol in the Battle of the Atlantic. It has been exhibited both as a theatrical release and a TV miniseries (1985). But the city owns the stadium and must pay for major capital expenses such as that.The tower of the submarine, Bavaria Studios, Munichĭas Boot ( German pronunciation:, English: "The Boat") is a 1981 West German war film written and directed by Wolfgang Petersen, produced by Günter Rohrbach, and starring Jürgen Prochnow, Herbert Grönemeyer, and Klaus Wennemann. The Eskimos help defray costs such as those for a new scoreboard and sound system, through their lease arrangement with the city. “That’s a city project,” Rhodes noted, however. On Wednesday, meanwhile, Edmonton City Council approved a $1.9 million expense to retrofit and upgrade dressing rooms to be used by FIFA teams and officials.Ĭity Council delayed a decision to purchase a new Jumbotron scoreboard and sound system until the Fall. The Eskimos will have to work with the City and with FIFA, who would have to approve transforming the Commonwealth turf from a soccer to a football configuration. Rhodes said the club has not entirely abaondoned the notion of holding the pre-season game at Commonwealth during one of a handful of off-days during the FIFA Women’s World’s. For obvious reasons, Rhodes is loath to stage an Eskimos pre-season game in, say, Calgary. So, finding a city that can accommodate between 20,000 and 25,000 fans is a problem. The Eskimos have about 23,000 season ticket holders whose packages entitle them to see a pre-season game, along with the nine regular-season home games. The pre-season game, on the other hand, is a more complicated challenge. Rhodes, a marketing man by profession, knows that holding the training camp in a smaller centre is a branding opportunity for the club. Rhodes said the Eskimos already have begun identifying Northern Alberta towns that would be suitable for a professional training camp. This advertisement has not loaded yet, but your article continues below. Manage Print Subscription / Tax Receipt.
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